HaSizzle Wants You To Get You Some

HaSizzle “Everybody get you som get, get you some.” A chant, a dare, a hook that turns into command. HaSizzle’s new single, Get You Some, isn’t asking you to move. It’s insisting. By the second repetition, resistance is pointless.

This is New Orleans bounce in its purest, loudest form sweaty, joyful, a little reckless. But here, the brass cuts in too, swinging over the 808s like a second line marching through the club. It shouldn’t make sense, but it does. The song is a glimpse of the bigger thing coming: Brass and Ass, HaSizzle’s new project, a title as blunt and playful as the music itself.

Watching him perform it live even through a screen is like catching a house party that spilled outside. His call-and-response isn’t a gimmick; it’s the DNA of the track. One voice becomes many. A hook becomes a crowd. The music doesn’t just play to you, it pulls you into its gravity.

HaSizzle has been holding that gravity for years. Tracks like “Bounce It Biggity Bounce It” and “She Rode That D*ck Like a Soulja” weren’t built for polite listening. They were built for bodies. For shaking speakers until the walls gave. For rooms where nobody’s pretending not to look. Collaborations with Drake, Lil Wayne, 2 Chainz, City Girls, Sexyy Red, PJ Morton each one proof that New Orleans bounce doesn’t just survive in its own lane. It infects everything it touches.

Still, Get You Some feels like a new move. The brass isn’t a backdrop. It’s a co-conspirator. The horns blare like a parade cutting through traffic, dragging bounce out of the club and into the street, blurring the line between concert, block party, and carnival. It’s a reminder that bounce has always been public music built for the crowd, built for the moment when private inhibition cracks open.

He’s taking that energy on the DTLR HBCU Tour this fall. Florida A&M, Alabama A&M, more stops across the South. Picture it: campus gyms turned into nightclubs, students screaming back the hook until the rafters shake. It’s not just performance. It’s initiation.

Bounce has always been this: messy, communal, charged. But HaSizzle brings something extra. He knows how to laugh while he’s commanding the room. He knows how to keep it dirty and joyous at the same time. “Everybody get you some” lands less like a lyric and more like a philosophy. Don’t stand still. Don’t watch. Take a piece of it for yourself.

And when Brass and Ass drops, that philosophy goes bigger. The sound of New Orleans

horns, chants, beats, sweat, excess stitched together until it can’t be separated. A project that makes sense only because it couldn’t come from anywhere else.

The single is called “Get You Some.” But the truth is, HaSizzle’s already taken what he came for. Your attention. Your movement. The rest is just catching up.